Chapter 1 (The Story of Ah-Q) Introduction
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The True Story of Ah-Q
Chapter 1: Introduction
For several years now I have been meaning to write the true story of Ah
Q. But while wanting to write I was in some trepidation, too, which goes
to show that I am not one of those who achieve glory by writing; for an
immortal pen has always been required to record the deeds of an
immortal man, the man becoming known to posterity through the writing
and the writing known to posterity through the man-until finally it is
not clear who is making whom known. But in the end, as though possessed
by some fiend, I always came back to the idea of writing the story of Ah
Q.
And yet no sooner had I taken up my pen than I became conscious of
tremendous difficulties in writing this far-from-immortal work. The
first was the question of what to call it. Confucius said, "If the name
is not correct, the words will not ring true"; and this axiom should be
most scrupulously observed. There are many types of biographies:
official biographies, autobiographies, unauthorized biographies,
legends, supplementary biographies, family histories, sketches… but
unfortunately none of these suited my purpose. "Official biography?"
This account will obviously not be included with those of many eminent
people in some authentic history. "Autobiography?" But I am obviously
not Ah Q. If I were to call this an "unauthorized biography," then where
is his "authenticated biography"? The use of "legend" is impossible,
because Ah Q was no legendary figure. "Supplementary biography"? But no
president has ever ordered the National Historical Institute to write a
"standard life" of Ah Q. It is true that although there are no "lives of
gamblers" in authentic English history, the famous author Conan Doyle
nevertheless wrote Rodney Stone; [1] but while this is permissible for a
famous author it is not permissible for such as I. Then there is
"family history"; but I do nor know whether I belong to the same family
as Ah Q or not, nor have his children or grandchildren ever entrusted me
with such a task. If I were to use "sketch," it might be objected that
Ah Q has no "complete account." In short, this is really a "life," but
since I write in vulgar vein using the language of hucksters and
pedlars, I dare not presume to give it so high-sounding a title. So from
the stock phrase of the novelists, who are not reckoned among the Three
Cults and Nine Schools. [2] "Enough of this digression, and back to the
true story!" I will take the last two words as my title; and if this is
reminiscent of the True Story of Calligraphy [3] 3 of the ancients, it
cannot be helped.
The second difficulty confronting me was that a biography of this type
should start off something like this: "So-and-so, whose other name was
so-and-so, was a native of such-and-such a place"; but I don't really
know what Ah Q's surname was. Once, he seemed to be named Chao, but the
next day there was some confusion about the matter again. This was after
Mr. Chao's son had passed the county examination, and, to the sound of
gongs, his success was announced in the village. Ah Q, who had just
drunk two bowls of yellow wine, began to prance about declaring that
this reflected credit on him too, since he belonged to the same clan as
Mr. Chao, and by an exact reckoning was three generations senior to the
successful candidate. At the time several bystanders even began to stand
slightly in awe of Ah Q. But the next day the bailiff summoned him to
Mr. Chao's house. When the old gentleman set eyes on him his face turned
crimson with fury and he roared:
"Ah Q, you miserable wretch! Did you say I belonged to the same clan as you?"
Ah Q made no reply.
The more he looked at him the angrier Mr. Chao became, and advancing
menacingly a few steps he said, "How dare you talk such nonsense! How
could I have such a relative as you? Is your surname Chao?"
Ah Q made no reply, and was planning a retreat, when Mr. Chao darted
forward and gave him a slap on the face. "How could you be named
Chao!-Do you think you are worthy of the name Chao?"
Ah Q made no attempt to defend his right to the name Chao, but rubbing
his left cheek went out with the bailiff. Once outside, he had to listen
to another torrent of abuse from the bailiff, and thank him to the tune
of two hundred cash. All who heard this said Ah Q was a great fool to
ask for a beating like that. Even if his surname were Chao-which wasn't
likely-he should have known better than to boast like that when there
was a Mr. Chao living in the village. After this no further mention was
made of Ah Q's ancestry, so that I still don't know what his surname
really was.
The third difficulty I encountered in writing this work was that I don't
know how Ah Q's personal name should be written either. During his
lifetime everybody called him Ah Quei, but after his death not a soul
mentioned Ah Quei again; for he was obviously not one of those whose
name is "preserved on bamboo tablets and silk." [4] If there is any
question of preserving his name, this essay must be the first attempt at
doing so. Hence I am confronted with this difficulty at the outset. I
have given the question careful thought: Ah Quei-would that be the
"Quei" meaning cassia or the "Quei" meaning nobility? If his other name
had been Moon Pavilion, or if he had celebrated his birthday in the
month of the Moon Festival, then it would certainly be the "Quei" for
cassia. [5] But since he had no other name-or if he had, no one knew
it-and since he never sent out invitations on his birthday to secure
complimentary verses, it would be arbitrary to write Ah Quei (cassia).
Again, if he had had an elder or younger brother called Ah Fu
(prosperity), then he would certainly be called Ah Quei (nobility). But
he was all on his own: thus there is no justification for writing Ah
Quei (nobility). All the other, unusual characters with the sound Quei
are even less suitable. I once put this question to Mr. Chao's son, the
successful county candidate, but even such a learned man as he was
baffled by it. According to him, however, the reason why this name could
not be traced was that Chen Tu-hsiu [6] had brought out the magazine
New Youth, advocating the use of the Western alphabet, so that the
national culture was going to the dogs. As a last resort, I asked
someone from my district to go and look up the legal documents recording
Ah Q's case, but after eight months he sent me a letter saying that
there was no name anything like Ah Quei in those records. Although
uncertain whether this was the truth or whether my friend had simply
done nothing, after failing to trace the name this way I could think of
no other means of finding it. Since I am afraid the new system of
phonetics has not yet come into common use, there is nothing for it but
to use the Western alphabet, writing the name according to the English
spelling as Ah Quei and abbreviating it to Ah Q. This approximates to
blindly following the New Youth magazine, and I am thoroughly ashamed of
myself; but since even such a learned man as Mr. Chao's son could not
solve my problem, what else can I do?
My fourth difficulty was with Ah Q's place of origin. If his surname
were Chao, then according to the old custom which still prevails of
classifying people by their districts, one might look up the commentary
in The Hundred Surnames [7] and find "A native of Tienshui in Kansu
Province." But unfortunately this surname is open to question, with the
result that Ah Q's place of origin must also remain uncertain. Although
he lived for the most part in Weichuang, he often stayed in other
places, so that it would be wrong to call him a native of Weichuang. It
would, in fact, amount to a distortion of history. The only thing that
consoles me is the fact that the character "Ah" is absolutely correct.
This is definitely not the result of false analogy, and is well able to
stand the test of scholarly criticism. As for the other problems, it is
not for such unlearned people as myself to solve them, and I can only
hope that disciples of Dr. Hu Shih, who has such "a passion for history
and antiquities," [8] may be able in future to throw new light on them. I
am afraid, however, that by that time my True Story of Ah Q will have
long since passed into oblivion.
The foregoing may be considered as an introduction.
[1] In Chinese this novel was called Supplementary Biographies of the Gamblers.
[2] The Three Cults were Confucianism, Buddhism and Taoism. The Nine
Schools included the Confucian, Taoist, Legalist and Moist schools, as
well as others. Novelists, who did not belong to any of these, were
considered not quite respectable.
[3] A book by Feng Wu of the Ching dynasty (1644-1911).
[4] A phrase first used in the third century B.C. Bamboo and silk were writing material in ancient China.
[5] The cassia blooms in the month of the Moon Festival. Also, according
to Chinese folklore, it is believed that the shadow on the moon is a
cassia tree.
[6] 1880-1942. A professor of Peking University at this time, he edited
the monthly New Youth. Later he became a renegade from the Chinese
Communist Party.
[7] An old school primer, in which the surnames were written into verse.
[8] This phrase was often used in self-praise by Hu Shih, the well-known reactionary politician and writer.